hectic pace and lively, instrumental or sung, syncopes and virtuous melodies of crying makes me cry ... Emotion. Very proud to see this musical style as part of a strong cultural heritage of Brazil, I wonder: Who
would be able to represent the Choro internationally? Does the Brazilian music industry's interest in disclosing the Choro abroad?
know that the crying mixed European music (polka, Scottish, waltz) with African rhythms, lundu, for example. That does not remember the origins of jazz?
The comparison of two, Choro being a bit "older" than the Jazz, the latter was able to impose worldwide prominence of World Music, where the Choro style is outside of Brazil. Until the Bossa Nova has a proper identification, as a style in itself, like the Jazz.
What is missing so that the crying has a greater impact outside of Brazil and enrich the image of Brazilian culture abroad?
The Cry of the privilege is still interested in Brazilian music and curious scholars around the world outside. I think of artists like singer Mariza who "raised" Fado and internationally designed with modernity and elegance. About know, be a star Costa Yamandu this magnitude is capable of sending its rays of light from Rio to the rest of the world? " Or would others?
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